values and conservation
I care deeply about what happens to the animals. I want to understand them, learn their stories and, wherever I can, use my art to help give them a voice.
I’m drawn to their resilience, their vulnerability and the incredible ability they have to survive in a world that is increasingly changing around them. The more I learn about them, the harder I find it to simply draw them and move on.
Conservation has become an important part of my journey as an artist. I’m incredibly proud to support organisations doing real, hands-on work to protect wildlife, including Dogs4Wildlife, where I am an ambassador. I also regularly donate artwork and a percentage of sales to conservation charities to help raise both funds and awareness.
I believe art can create connection. And connection matters. When we look into the eyes of an animal and feel something, we become more invested in what happens to it.
That is what I hope my work can do — make you stop, look again and perhaps care a little more about the world we share.
Because for me, creating wildlife art isn’t just about capturing how an animal looks.
It’s about making sure we don’t lose sight of what we’re trying to protect.
The Last Witness They stand side by side in a world that has taken almost everything. Two bodies holding the end of a story that never learned to stop taking. Both female. Both carrying futures that will never arrive. The air is quiet where it should remember them. The ground holds no answers. They remain— not as hope, but as witness. Alive long enough to feel the ending.
“Last Known Location” He looks straight at us. Still here. Still aware. But already slipping. The map begins to show through him — not suddenly, but slowly. Lines and borders replacing fur. This is how it happens. Quietly. Wild dogs are built to move. To range, to adapt, to exist without limits. As that space disappears, so do they — not all at once, but in fragments. Reduced to records. To sightings. To a last known location. His eyes remain clear. Intelligent. Unfinished. He isn’t gone.
Misunderstood confronts the way fear has shaped the fate of the hammerhead shark. Often persecuted and vilified, this powerful species now faces critically low numbers, pushed to the edge by misunderstanding rather than necessity. The composition captures both strength and vulnerability — a reminder that dominance in form does not equal invincibility. This piece asks the viewer to look beyond fear, to recognise balance, and to consider what is lost when we choose control over coexistence.
The Last Witness They stand side by side in a world that has taken almost everything. Two bodies holding the end of a story that never learned to stop taking. Both female. Both carrying futures that will never arrive. The air is quiet where it should remember them. The ground holds no answers. They remain— not as hope, but as witness. Alive long enough to feel the ending.